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Author: Samantha Coates Created: Friday, September 15, 2006
Samantha's views on life, the universe and teaching.

Minim rests in 3/4 time
By Samantha Coates on Wednesday, November 05, 2008
Some of my first grade students recently lost marks because of a generic rule that I taught them. However, the AMEB does not accept this generic rule and so I will have to adjust my teaching accordingly!
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Two new babies
By Samantha Coates on Sunday, August 17, 2008
This wasn't supposed to be the year for writing any books at all... but in the end I've written two!!!
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Radio silence
By Samantha Coates on Tuesday, June 03, 2008
Hi folks, sorry I've been out of touch for a while, I've been busy renovating my house and writing a new book called 'How To Blitz! General Knowledge'. It's due out in August and it's designed to be every teacher's and every student's best friend leading up to practical exams. Stay tuned for more!
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Changes to Theory Syllabus
By Samantha Coates on Friday, February 08, 2008
There have been a few changes to the Theory and Musicianship syllabuses from 2009.
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My Music Craft Exam Results
By Samantha Coates on Saturday, November 03, 2007
A thorough post mortem of my results and my thoughts on them!
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Worksheets on Melody Writing
By Samantha Coates on Monday, September 24, 2007
I noticed that one of the most popular worksheets in the Free Downloads section is the one on melody writing. Since there is obviously a need for this, I decided to post two new worksheets which are slightly easier and deal with some of the basics of melody writing.
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My experience of the Music Craft exams 2007
By Samantha Coates on Monday, September 03, 2007
In general, I found the written exams a lot easier than the workbooks. They were well presented and used appropriate sized manuscript for the grades i.e. 10mm for Grades Prelim, 1 and 2 and 8.5mm for Grades 3 and 4. The problem is, I’m pretty sure I found them easy because I am a theory teacher, rather than being taught well by the workbooks. There were quite a few errors in the exams themselves, which was a great shame. It only takes a couple of good proof-reads and these can be eradicated, thus eliminating the stress it causes the students when something doesn’t work out right.
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How's your German?
By Samantha Coates on Wednesday, August 22, 2007
For some unknown reason, we have to learn French and German terms as well as Italian in Grade 4 Music Craft. These are pretty rare in common repertoire, but even so ‘Massig’ is usually seen with the double ‘s’, not the strange German letter which we are not taught how to write properly. Anyway, I need some clarification on the less-than-helpful German tutorial we get in lesson 6: ‘Lebhaft’ = lively or brisk, ‘Sehr lebhaft’ = very lively ‘Schnell’ = fast or quick Ok... but on the next page, we’re tested on ‘very fast’ and ‘lively and fast’. Well, we’ve been taught ‘very’ and ‘lively’ and ‘fast’ , but we have not been taught ‘and’. (which I happened to remember is ‘und’ from my Year 8 German elective). I asked my sister-in-law, who speaks German, if ‘Lebhaft und Schnell’ would be the correct translation for this... she said that would be incorrect. Can anyone help?
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Set Works Grade 3 Music Craft
By Samantha Coates on Tuesday, August 21, 2007
The questions devoted to identifying the set works are very easy. It’s quite good that different instruments are used. In terms of the actual works set for study, I find the ‘Pange Lingua’ an unbelievably obscure choice for demonstrating the Phrygian mode. It would have been much better to use the little Burgmuller study ‘Progress’, which contains the Phrygian mode in the right hand of the first bar and the left hand of the second bar, played in scale form and much more easily recognisable. I also feel sorry for poor old Christian Pezold, who has suddenly been attributed with the famous Minuet and has missed out on approximately 350 years of royalties.
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Workbook 3A
By Samantha Coates on Sunday, August 19, 2007
Well, Grade 3 Music Craft gets mighty difficult compared to Grade 2, and especially compared to the Theory and Musicianship syllabuses. The workbooks do not explain much, and what little they do explain is done solely through text, with no examples. I suffered many minor brain explosions trying to make sense of some these explanations. (Particularly in lesson 18 – a whole page of complicated text.) It’s easiest to present my comments for this workbook in categories, and i've done so in the Forums section. The aural component is a separate blog/thread.
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